
Damien Geter
Damien Geter is an acclaimed American composer who infuses classical music with various styles from the Black diaspora to create music that furthers the cause for social justice. His rapidly growing and “invigoratingly fresh” (Opera Today) body of work includes chamber, vocal, orchestral, and full operatic works, with his compositions praised for their “skillful vocal writing” (Wall Street Journal). He is also a celebrated bass-baritone – “amazing to listen to. Possessed of a rolling, resonant voice even at the lowest register” (Northwest Reverb) – whose varied credits include performances from the operatic stage to the television screen. Called “superb” by The News Tribune, DC Theater Arts praises his “commanding presence and voice full of bass-baritone gravitas”. He serves as Richmond Symphony’s Composer-in-Residence through 2026 and Interim Music Director & Artistic Advisor at Portland Opera.
Composer
Conductor
Bass-Baritone

Upcoming Events
COMPOSITION
Loving v. Virginia (World Premiere)
Virginia Opera & Richmond Symphony
April 25 to May 11, 2025
Amanirenas
Tanglewood
July 27, 2025
Amanirenas
Portland Opera
September 13 & 14, 2025
PERFORMANCE
Verdi Requiem
Portland Opera
May 16, 2026

Podcast
The purpose of ARTillery is to discuss how artists have used their work to fight against, or respond to, oppressive regimes or systems that plagued their countries, their culture, and/or our universal global society. Each episode will revolve around a musician, painter, poet, visual artist, an actor, or a movement, who was fearless enough to stand up to those in charge.
Recordings
Chamber Music by James Joyce, Volume 1
Choral Scholars University College Dublin
September 2024, Signum Classics
Includes Gentle lady, do not sing
Elevate: All Classical Radio’s RII, Vol. 2
Recording Inclusivity Initiative
May 2024, Navona Records
Includes String Quartet No. 1 “Neo-Soul”
“Lullaby” from Loving v. Virginia
String Quartet No. 1, Neo-Soul
Sinfonia Americana
Cantata for a More Hopeful Tomorrow
“Geter’s sound palette is very much his own distinct voice, and invigoratingly fresh”
—Opera Today
“Skillful vocal writing”
—Wall Street Journal
“If I had but one word to sum up composer and bass-baritone Damien Geter… I’ll go with ‘major.’”
—Washington Post
